There's a multitude of emulsions available, even after a lot of them have been discontinued. Each one reacts a little differently to light, both in terms of requiring more or less light, but also in terms of reacting in various unique ways to light.
Film notes, July, 2006
The problem with film reviews is that they get stale over time as things change and don't get updated.
A practical demonstration of grain and film size
People in the 35mm and digital shooting worlds tend to place a lot of importance on having the sharpest lens and the finest grained film/highest resolution sensor. People shooting 6x7 or large format have far less to worry about. I wanted to try out Kodak E200 to see what it looked like for my next film comparison, since it was freshly-expired in 120 format at the local camera store, but I realized that I couldn't make any realistic assessment of how grainy it was in the 6x7 format. So, after playing with UC 400 in the 35mm format, I decided I wanted to know what it looks like on my 6x7.
Hello, Kodak?
We have reached a new stage with Kodak, and I'm not pleased about it. With prior film discontinuations, Kodak gave advanced warning that a film was going to be discontinued, perhaps with a suggested replacement film. Now, we're faced with films being discontinued without the courtesy of advance warning so we can calibrate our process for a new film or alternatively stock up to complete a project while there's still film to be purchased.
A tired Pyrokitten
Pyrokitten on a red couch
Cutiful
Cutiful in a dress
Kimberly Marvel
Kimberly Marvel in a skirt on the rocks near a waterfall
Kimberly Marvel
Kimberly Marvel in a skirt on the rocks near a waterfall