{"componentChunkName":"component---src-templates-blogposting-js","path":"/blog/gaining_losing_stuff","result":{"data":{"mdx":{"body":"function _extends() { _extends = Object.assign || function (target) { for (var i = 1; i < arguments.length; i++) { var source = arguments[i]; for (var key in source) { if (Object.prototype.hasOwnProperty.call(source, key)) { target[key] = source[key]; } } } return target; }; return _extends.apply(this, arguments); }\n\nfunction _objectWithoutProperties(source, excluded) { if (source == null) return {}; var target = _objectWithoutPropertiesLoose(source, excluded); var key, i; if (Object.getOwnPropertySymbols) { var sourceSymbolKeys = Object.getOwnPropertySymbols(source); for (i = 0; i < sourceSymbolKeys.length; i++) { key = sourceSymbolKeys[i]; if (excluded.indexOf(key) >= 0) continue; if (!Object.prototype.propertyIsEnumerable.call(source, key)) continue; target[key] = source[key]; } } return target; }\n\nfunction _objectWithoutPropertiesLoose(source, excluded) { if (source == null) return {}; var target = {}; var sourceKeys = Object.keys(source); var key, i; for (i = 0; i < sourceKeys.length; i++) { key = sourceKeys[i]; if (excluded.indexOf(key) >= 0) continue; target[key] = source[key]; } return target; }\n\n/* @jsxRuntime classic */\n\n/* @jsx mdx */\nvar _frontmatter = {\n  \"date\": \"2007-01-26T08:00:00.000Z\",\n  \"updated\": \"2007-01-26T08:00:00.000Z\",\n  \"type\": \"BlogPosting\",\n  \"title\": \"Gaining stuff / Losing stuff\",\n  \"entityId\": \"03241ba0-f940-11e6-8d52-ffa6c436feb5\",\n  \"revisionId\": \"03241ba1-f940-11e6-8d52-ffa6c436feb5\",\n  \"revisionNum\": 1,\n  \"tags\": {\n    \"plain\": [{\n      \"@id\": \"arts.meta.discontinuations\",\n      \"objClass\": \"ontag\"\n    }],\n    \"arts.meta.manufacturers\": [{\n      \"@id\": \"ilford\",\n      \"objClass\": \"tag\"\n    }, {\n      \"@id\": \"kodak\",\n      \"objClass\": \"tag\"\n    }, {\n      \"@id\": \"fuji\",\n      \"objClass\": \"tag\"\n    }, {\n      \"@id\": \"rollei\",\n      \"objClass\": \"tag\"\n    }, {\n      \"@id\": \"forte\",\n      \"objClass\": \"tag\"\n    }],\n    \"arts.meta.film\": [{\n      \"@id\": \"arts.meta.film.rxp\",\n      \"objClass\": \"ontag\"\n    }, {\n      \"@id\": \"arts.meta.film.sfx\",\n      \"objClass\": \"ontag\"\n    }, {\n      \"@id\": \"arts.meta.film.kl\",\n      \"objClass\": \"ontag\"\n    }]\n  },\n  \"sidebar\": \"Kodachrome 200 seems to be available in stores still, but that may just be the last production run, nobody knows.\\n\\nI'm going to post an updated [film entry](/blog/film_2006/), but I was kinda hoping to get Provia 400X in it first. :(\",\n  \"description\": \"I'm not incredibly worried about the \\\"death of film\\\".  I'm not tied to the use of film to the point where I'll have lost my creative outlet if it disappears, it just happens to be the right tool for the job.  I'll buy a fancy expensive high-resolution digital SLR and move on with life.  But there are supply problems with film.\",\n  \"srcImages\": [\"arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile\", \"arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile\"]\n};\nvar layoutProps = {\n  _frontmatter: _frontmatter\n};\nvar MDXLayout = \"wrapper\";\nreturn function MDXContent(_ref) {\n  var components = _ref.components,\n      props = _objectWithoutProperties(_ref, [\"components\"]);\n\n  return mdx(MDXLayout, _extends({}, layoutProps, props, {\n    components: components,\n    mdxType: \"MDXLayout\"\n  }), mdx(\"a\", {\n    href: \"/photo/landscape/sfo_sunrise/\"\n  }, mdx(props.imgs.Img1, {\n    width: \"320px\",\n    align: \"right\"\n  })), mdx(\"p\", null, \"I\\u2019m not incredibly worried about the \\u201Cdeath of film\\u201D. I\\u2019m not tied to the use of film to the point where I\\u2019ll have lost my creative outlet if it disappears, it just happens to be the right tool for the job. I\\u2019ll buy a fancy expensive high-resolution digital SLR and move on with life.\"), mdx(\"p\", null, \"Forte is very close to disappearing from the market. Apparently it\\u2019s not necessarily that people aren\\u2019t buying film, but it\\u2019s that the film market is going kinda topsy-turvy. People tend to fearfully stock up on something if they find they like it, so the demand isn\\u2019t especially constant. I\\u2019ve never shot Forte film so it\\u2019s not going to effect me. And apparently the land that the Forte plant is on is rather valuable for development.\"), mdx(\"p\", null, \"I\\u2019m also hearing noises about Kodachrome-200 disappearing in short order, which prompted me to order some so that I may shoot it before it\\u2019s totally gone.\"), mdx(\"p\", null, \"On the other hand, Ilford seems to be doing well after emerging from receivership. They just announced that \", mdx(\"a\", {\n    parentName: \"p\",\n    \"href\": \"http://www.ilfordphoto.com/pressroom/article.asp?n=64\"\n  }, \"SFX 200 is going to return to the market\"), \", which means that we\\u2019ve got two pseudo-IR films on the market, as well as one real-IR film.\"), mdx(\"a\", {\n    href: \"/photo/landscape/fishermans_wharf/\"\n  }, mdx(props.imgs.Img2, {\n    width: \"320px\",\n    align: \"left\"\n  })), mdx(\"p\", null, \"Either way, I\\u2019ve been craving an easy to purchase 120 format IR film to load into my RB67. I was hoping I could get a real-IR (meaning with sensitivity well down in the 750-800nm range) but a pseudo-IR (where it merely has a red range that extends down past normal red) will do just fine. Maco used to market a real-IR film (which was allegedly made by Efke) but for some reason or another, they now just repackage \", mdx(\"a\", {\n    parentName: \"p\",\n    \"href\": \"http://www.agfa.com/en/sp/solutions/aerialphotography/index.jsp\"\n  }, \"Agfa-Gevaert Aerial survey film\"), \" which is only a pseudo-IR film. Kodak makes some great IR film with sensitivity way down into the 1000nm range, but it\\u2019s only available as a 35mm film.\"), mdx(\"p\", null, \"Ilford is also talking about making Delta 25. I\\u2019m not too keen on this, mostly because I don\\u2019t think it\\u2019s worth the bother for me. Fuji Acros 100 is about as high of resolution as a modern lens can resolve, with excellent reciprocity. So it is unlikely that I\\u2019ll have a higher quality image out of a Delta 25 and even if Delta 25 has excellent reciprocity, it\\u2019s going to be hard to beat a film 2 stops faster that requires next to no adjustment under most long exposures.\"), mdx(\"p\", null, \"However, since many folks out there remember the days of Pantomatic-X (ASA 32), Kodachrome (ASA 10 and 25) and the like, so I\\u2019m sure they\\u2019ll snap it up. I, on the other hand, have lived over half my life in the days of T-grain films, so I\\u2019m used to 100 speed film being the standard slow film.\"), mdx(\"p\", null, \"I\\u2019m still waiting for Fuji\\u2019s Provia 400X to make an appearance in the US. I\\u2019ve got a number of shots that will be much more feasible that I\\u2019m waiting on 400X for. T64 and Velvia II I have less anticipation over, because Velvia 50 didn\\u2019t have the sort of reciprocity I wanted, and 64T was quite good already. Still, it is good to see new research out of Fuji.\"));\n}\n;\nMDXContent.isMDXComponent = true;","id":"52bd1157-e5b5-5e7f-ab08-df5402a9c992","fields":{"sidebar":"<p>Kodachrome 200 seems to be available in stores still, but that may just be the last production run, nobody knows.</p>\n<p>I'm going to post an updated <a href=\"/blog/film_2006/\">film entry</a>, but I was kinda hoping to get Provia 400X in it first. :(</p>\n"},"frontmatter":{"date":"January 26, 2007","title":"Gaining stuff / Losing stuff","type":"BlogPosting","description":"I'm not incredibly worried about the \"death of film\".  I'm not tied to the use of film to the point where I'll have lost my creative outlet if it disappears, it just happens to be the right tool for the job.  I'll buy a fancy expensive high-resolution digital SLR and move on with life.  But there are supply problems with film.","sidebar":"Kodachrome 200 seems to be available in stores still, but that may just be the last production run, nobody knows.\n\nI'm going to post an updated [film entry](/blog/film_2006/), but I was kinda hoping to get Provia 400X in it first. :("},"srcImages":[{"id":"c78a401d-9580-59a2-8c3c-81fa29a02bc3","key":"0d9a54b0aa1ebc937530e768992f3662","maxSize":1024,"size":153789,"srcSet":"/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_t.jpg 100w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_m.jpg 240w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_n.jpg 320w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_w.jpg 400w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662.jpg 500w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_z.jpg 640w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_c.jpg 800w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_b.jpg 1024w","srcPath":"arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile","width":1024,"height":639,"sqSrcSet":"/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_s.jpg 75w,\n/b2/arts.photo.landscape.sfo_sunrise-07fd4201-f940-11e6-8d52-ffa6c436feb5-infile_0d9a54b0aa1ebc937530e768992f3662_q.jpg 150w"},{"id":"346c66c4-83be-5e2c-a041-7d994c0e9f1e","key":"d468ea2409bfa3acdb2369bd85f20faf","maxSize":1024,"size":417281,"srcSet":"/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_t.jpg 100w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_m.jpg 240w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_n.jpg 320w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_w.jpg 400w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf.jpg 500w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_z.jpg 640w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_c.jpg 800w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_b.jpg 1024w","srcPath":"arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile","width":1024,"height":648,"sqSrcSet":"/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_s.jpg 75w,\n/b2/arts.photo.landscape.fishermans_wharf-062ffc11-f940-11e6-8d52-ffa6c436feb5-infile_d468ea2409bfa3acdb2369bd85f20faf_q.jpg 150w"}],"excerpt":"I'm not incredibly worried about the \"death of film\". I'm not tied to the use of film to the point where I'll have lost my creative outlet if it disappears, it just happens to be the right tool for the job. I'll buy a fancy expensive high-resolution digital SLR and move on with life. Forte is very…"}},"pageContext":{"id":"52bd1157-e5b5-5e7f-ab08-df5402a9c992","parent":"/blog","name":"gaining_losing_stuff","depth":2,"title":"Gaining stuff / Losing stuff","type":"BlogPosting","date":"2007-01-26T08:00:00.000Z","hidden":null,"breadcrumbs":[{"url":"/"},{"name":"blog","url":"/blog"},{"name":"Gaining stuff / Losing stuff","url":"/blog/gaining_losing_stuff"}],"excerpt":"I'm not incredibly worried about the \"death of film\".  I'm not tied to the use of film to the point where I'll have lost my creative outlet if it disappears, it just happens to be the right tool for the job.  I'll buy a fancy expensive high-resolution digital SLR and move on with life.  But there are supply problems with film.","updated":"2007-01-26T08:00:00.000Z"}},"staticQueryHashes":["1062461325","1937434333","2193146810","2240196328","3649515864","815954065"]}