{"componentChunkName":"component---src-templates-blogposting-js","path":"/blog/high_voltage_direction","result":{"data":{"mdx":{"body":"function _extends() { _extends = Object.assign || function (target) { for (var i = 1; i < arguments.length; i++) { var source = arguments[i]; for (var key in source) { if (Object.prototype.hasOwnProperty.call(source, key)) { target[key] = source[key]; } } } return target; }; return _extends.apply(this, arguments); }\n\nfunction _objectWithoutProperties(source, excluded) { if (source == null) return {}; var target = _objectWithoutPropertiesLoose(source, excluded); var key, i; if (Object.getOwnPropertySymbols) { var sourceSymbolKeys = Object.getOwnPropertySymbols(source); for (i = 0; i < sourceSymbolKeys.length; i++) { key = sourceSymbolKeys[i]; if (excluded.indexOf(key) >= 0) continue; if (!Object.prototype.propertyIsEnumerable.call(source, key)) continue; target[key] = source[key]; } } return target; }\n\nfunction _objectWithoutPropertiesLoose(source, excluded) { if (source == null) return {}; var target = {}; var sourceKeys = Object.keys(source); var key, i; for (i = 0; i < sourceKeys.length; i++) { key = sourceKeys[i]; if (excluded.indexOf(key) >= 0) continue; target[key] = source[key]; } return target; }\n\n/* @jsxRuntime classic */\n\n/* @jsx mdx */\nvar _frontmatter = {\n  \"date\": \"2008-05-05T23:00:00.000Z\",\n  \"updated\": \"2008-05-05T23:00:00.000Z\",\n  \"type\": \"BlogPosting\",\n  \"title\": \"Better Lighting Through High Voltage: Taking the series in a different direction\",\n  \"entityId\": \"02a9e290-f940-11e6-8d52-ffa6c436feb5\",\n  \"revisionId\": \"02a9e291-f940-11e6-8d52-ffa6c436feb5\",\n  \"revisionNum\": 1,\n  \"tags\": {\n    \"arts.meta.lights\": [{\n      \"@id\": \"arts.meta.lights.ms1\",\n      \"objClass\": \"ontag\"\n    }],\n    \"arts.meta.techniques\": [{\n      \"@id\": \"arts.meta.techniques.strobist\",\n      \"objClass\": \"ontag\"\n    }],\n    \"arts.meta.serials\": [{\n      \"@id\": \"arts.meta.serials.better_lighting_through_high_voltage\",\n      \"objClass\": \"ontag\"\n    }],\n    \"arts.meta.review_compensation\": [{\n      \"@id\": \"arts.meta.review_compensation.uncompensated\",\n      \"objClass\": \"ontag\"\n    }]\n  },\n  \"sidebar\": \"## More updates:\\n\\nI picked up another drive to replace the photo drive and managed to make a second copy of all the files. So one less thing to have nightmares about.\\n\\nAnd a happy Cinco de Mayo to all my readers.\\n\\n## About this series:\\n\\nThis series is a time-lagged chronological journey through my off-camera lighting. I write about stuff that happens months after it really happens so I can get it organized and also to make sure that I don't writing a glowing review of something that turns out to be a piece of crap later on.\\n\\nMy goal with my off-camera setup is to be inexpensive (but not cheap) and portable and easy to deal with. It also has to work with my largely film-centric lifestyle.\\n\\n## The continuing story of flash triggering:\\n\\nIf I were using modern cameras and spent a lot of money on hardware, this wouldn't be a problem. But I can't rely on optical triggers and such. I've found that my Canon TX, after the CLA, and my G7 will both reliably trigger the hotshoe. My 383 Super (I lost one after my little accident) will reliably fire off of the hotshoe slaves. The Quantaray MS-1 will reliably trigger on it's own but it stopped working. My Sunpack Digital Flash will sometimes trigger off of it's built-in slave and sometimes needs an external trigger to work, but I've already described how it sucks.\\n\\nI need a new 90mm lens for my RB67, so all I've got is a 50mm, which is not too photogenic because in medium format terms, that's a wide-angle. So I really want to know for sure that the next 90mm lens I buy will have a fully reliable flash triggering port. To do this, I really want to do is fix any other wiring problems once and for all so that I can be assured that it's not the normally flakey connectors that are causing the problems.\\n\\nThe way I see things, hotshoes are reliable. PC cords are not. And Sunpack screwed up the way they do their plugs just enough that you can't just plug into the side of a 383 Super without knowing exactly what you are doing. So, I am quite comfortable with 1/4\\\" and 1/8\\\" cables because I can solder replacement connectors myself if they break. Either way, it adds up real fast to get all of the little bits.\",\n  \"description\": \" When I started out doing portraiture, I did only outdoor portraits during the golden hour.  If you don't have much gear, it's great.  My first portrait shoot was taken on my Canon A95 and came out quite well.  And I did my art indoors with lightpainting...    \",\n  \"srcImages\": [\"arts.photo.person.eir_strobist-08d3f2f1-f940-11e6-8d52-ffa6c436feb5-infile\", \"arts.blog.high_voltage_direction.no_people-08e8b371-f940-11e6-8d52-ffa6c436feb5-infile\", \"arts.photo.person.sarahcp-07358531-f940-11e6-8d52-ffa6c436feb5-infile\", \"arts.blog.high_voltage_direction.june-08ed9571-f940-11e6-8d52-ffa6c436feb5-infile\", \"arts.blog.high_voltage_direction.mandy-08f361d1-f940-11e6-8d52-ffa6c436feb5-infile\"]\n};\nvar layoutProps = {\n  _frontmatter: _frontmatter\n};\nvar MDXLayout = \"wrapper\";\nreturn function MDXContent(_ref) {\n  var components = _ref.components,\n      props = _objectWithoutProperties(_ref, [\"components\"]);\n\n  return mdx(MDXLayout, _extends({}, layoutProps, props, {\n    components: components,\n    mdxType: \"MDXLayout\"\n  }), mdx(\"a\", {\n    href: \"/photo/person/eir_strobist/\"\n  }, mdx(props.imgs.Img1, {\n    width: \"640px\"\n  })), mdx(\"p\", null, \"When I started out doing portraiture, I did only outdoor portraits during the golden hour. If you don\\u2019t have much gear, it\\u2019s great. My first portrait shoot was taken on my Canon A95 and came out quite well. And I did my art indoors with lightpainting.\"), mdx(\"p\", null, \"I made the TFP offer to models that if they shot with me I\\u2019d do lightpainting but also more normally-lit outdoor portraits. I felt it would make the arrangement more appealing to them that way. It was funny because most models were largely impressed with my artistic lightpaintings anyway\\u2026 but that\\u2019s another matter.\"), mdx(\"p\", null, \"My initial motivation for going strobist and getting lights was to expand my options, so that I could shoot indoors during the wintertime or midday. Hence the name \\u201CBetter indoor lighting\\u201D for my series.\"), mdx(\"p\", null, \"I love to shoot right around sunset, when the sky is incredibly dramatic. And what I\\u2019ve found is that if you include the sky in a shot, it\\u2019s still going to be too many stops of light away from the rest of the scene most of the time. And that\\u2019s fine, if you use print film, because you can spend some time in Photoshop to bring it all back to normal.\"), mdx(\"a\", {\n    href: \"/blog/high_voltage_direction/no_people/\"\n  }, mdx(props.imgs.Img2, {\n    width: \"640px\"\n  })), mdx(\"p\", null, \"But what I also found is that if I use off-camera flash, I can light up the model until they are about the same level of brightness as the sky and get even more dramatic shots that don\\u2019t require editing.\"), mdx(\"p\", null, \"I\\u2019d also like to note that one of the techniques Galen Rowell popularized to the photographic community is \\u201Csmart flash\\u201D. I realized at some point that keeping my lights handy wouldn\\u2019t be useful just for people, but for all my photography.\"), mdx(\"a\", {\n    href: \"/photo/person/sarahcp/\"\n  }, mdx(props.imgs.Img3, {\n    width: \"640px\"\n  })), mdx(\"p\", null, \"So, overall, I\\u2019ve decided to change this to \\u201CBetter lighting through High Voltage\\u201D\"), mdx(\"p\", null, \"When you work outdoors with a flash, you suddenly have a lot more control over how the scene in front of you is lit than before. Remember, golden hour is already beautiful. Using a flash can make this even more beautiful.\"), mdx(\"p\", null, \"I discovered that, even though none of my gear is advertised to work reliably outdoors, it seems to work quite well. Except for the umbrellas. I\\u2019ve had the same conversation with quite a few people in the past year. It turns out that umbrellas really suck outdoors. Light stands are great when there\\u2019s no wind, but add even a mild breeze and they\\u2019ll fall. The problem is when it\\u2019s below the point where you need weight but then there\\u2019s a gust and your umbrella lands on the ground. Eventually the ribs of the umbrella will get bent enough that it won\\u2019t work right.\"), mdx(\"p\", null, \"One thing that I\\u2019ve realized for quite some that when you use a flash, there\\u2019s really two pictures going on \\u2014 one being the flash firing in 1/8000th of a second, the other being the rest of the time. So it ends up that I can shoot with a very fast shutter speed and the flash on full speed and get a shot where the flash appears brighter than the sun:\"), mdx(\"a\", {\n    href: \"/blog/high_voltage_direction/june/\"\n  }, mdx(props.imgs.Img4, {\n    width: \"640px\"\n  })), mdx(\"p\", null, \"Or I can shoot at a low shutter speed at night, so that the dark sky can accumulate enough photons to be bright:\"), mdx(\"a\", {\n    href: \"/blog/high_voltage_direction/mandy/\"\n  }, mdx(props.imgs.Img5, {\n    width: \"640px\"\n  })), mdx(\"h2\", null, \"The Quantaray MS-1 after a year or so\"), mdx(\"p\", null, \"My MS-1 didn\\u2019t last a year, which is really too bad.\"), mdx(\"p\", null, \"The positive side of the MS-1 is that it\\u2019s got a good, reliable, built-in trigger.\"), mdx(\"p\", null, \"The downside is that it\\u2019s just not built robustly in the right places. The power switch will slide over from off to on if you let it bump around in a camera bag. And the battery connector on mine went unreliable.\"), mdx(\"p\", null, \"I\\u2019m kinda bummed, because it\\u2019s great to have a cute little flash that doesn\\u2019t take up much space in a camera bag.\"));\n}\n;\nMDXContent.isMDXComponent = true;","id":"2be19880-c934-5b6e-af4c-4834770df19a","fields":{"sidebar":"<h2>More updates:</h2>\n<p>I picked up another drive to replace the photo drive and managed to make a second copy of all the files. So one less thing to have nightmares about.</p>\n<p>And a happy Cinco de Mayo to all my readers.</p>\n<h2>About this series:</h2>\n<p>This series is a time-lagged chronological journey through my off-camera lighting. I write about stuff that happens months after it really happens so I can get it organized and also to make sure that I don't writing a glowing review of something that turns out to be a piece of crap later on.</p>\n<p>My goal with my off-camera setup is to be inexpensive (but not cheap) and portable and easy to deal with. It also has to work with my largely film-centric lifestyle.</p>\n<h2>The continuing story of flash triggering:</h2>\n<p>If I were using modern cameras and spent a lot of money on hardware, this wouldn't be a problem. But I can't rely on optical triggers and such. I've found that my Canon TX, after the CLA, and my G7 will both reliably trigger the hotshoe. My 383 Super (I lost one after my little accident) will reliably fire off of the hotshoe slaves. The Quantaray MS-1 will reliably trigger on it's own but it stopped working. My Sunpack Digital Flash will sometimes trigger off of it's built-in slave and sometimes needs an external trigger to work, but I've already described how it sucks.</p>\n<p>I need a new 90mm lens for my RB67, so all I've got is a 50mm, which is not too photogenic because in medium format terms, that's a wide-angle. So I really want to know for sure that the next 90mm lens I buy will have a fully reliable flash triggering port. To do this, I really want to do is fix any other wiring problems once and for all so that I can be assured that it's not the normally flakey connectors that are causing the problems.</p>\n<p>The way I see things, hotshoes are reliable. PC cords are not. And Sunpack screwed up the way they do their plugs just enough that you can't just plug into the side of a 383 Super without knowing exactly what you are doing. So, I am quite comfortable with 1/4\" and 1/8\" cables because I can solder replacement connectors myself if they break. Either way, it adds up real fast to get all of the little bits.</p>\n"},"frontmatter":{"date":"May 05, 2008","title":"Better Lighting Through High Voltage: Taking the series in a different direction","type":"BlogPosting","description":" When I started out doing portraiture, I did only outdoor portraits during the golden hour.  If you don't have much gear, it's great.  My first portrait shoot was taken on my Canon A95 and came out quite well.  And I did my art indoors with lightpainting...    ","sidebar":"## More updates:\n\nI picked up another drive to replace the photo drive and managed to make a second copy of all the files. So one less thing to have nightmares about.\n\nAnd a happy Cinco de Mayo to all my readers.\n\n## About this series:\n\nThis series is a time-lagged chronological journey through my off-camera lighting. I write about stuff that happens months after it really happens so I can get it organized and also to make sure that I don't writing a glowing review of something that turns out to be a piece of crap later on.\n\nMy goal with my off-camera setup is to be inexpensive (but not cheap) and portable and easy to deal with. It also has to work with my largely film-centric lifestyle.\n\n## The continuing story of flash triggering:\n\nIf I were using modern cameras and spent a lot of money on hardware, this wouldn't be a problem. But I can't rely on optical triggers and such. I've found that my Canon TX, after the CLA, and my G7 will both reliably trigger the hotshoe. My 383 Super (I lost one after my little accident) will reliably fire off of the hotshoe slaves. The Quantaray MS-1 will reliably trigger on it's own but it stopped working. My Sunpack Digital Flash will sometimes trigger off of it's built-in slave and sometimes needs an external trigger to work, but I've already described how it sucks.\n\nI need a new 90mm lens for my RB67, so all I've got is a 50mm, which is not too photogenic because in medium format terms, that's a wide-angle. So I really want to know for sure that the next 90mm lens I buy will have a fully reliable flash triggering port. To do this, I really want to do is fix any other wiring problems once and for all so that I can be assured that it's not the normally flakey connectors that are causing the problems.\n\nThe way I see things, hotshoes are reliable. PC cords are not. And Sunpack screwed up the way they do their plugs just enough that you can't just plug into the side of a 383 Super without knowing exactly what you are doing. So, I am quite comfortable with 1/4\" and 1/8\" cables because I can solder replacement connectors myself if they break. 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If you don't have much gear, it's great. My first portrait shoot was taken on my Canon A95 and came out quite well. And I did my art indoors with lightpainting. I made the TFP offer to models that if they shot…"}},"pageContext":{"id":"2be19880-c934-5b6e-af4c-4834770df19a","parent":"/blog","name":"high_voltage_direction","depth":2,"title":"Better Lighting Through High Voltage: Taking the series in a different direction","type":"BlogPosting","date":"2008-05-05T23:00:00.000Z","hidden":null,"breadcrumbs":[{"url":"/"},{"name":"blog","url":"/blog"},{"name":"Better Lighting Through High Voltage: Taking the series in a different direction","url":"/blog/high_voltage_direction"}],"excerpt":" When I started out doing portraiture, I did only outdoor portraits during the golden hour.  If you don't have much gear, it's great.  My first portrait shoot was taken on my Canon A95 and came out quite well.  And I did my art indoors with lightpainting...    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