If you look at a famous painting, you don't wonder what brand of brushes the now-decomposing artist used. Of course, if you go to a painters forum, you'll see passionate debates about which brand of brush to use.
Only a poor craftsperson blames their tools, but a good craftsperson will tend to get better results with better tools.
I'm primarily a film shooter, even though outside of photography, I'm quite "digital". My tastes in cameras are best described as somewhat idiosyncratic. I like to own reasonably priced cameras that can be made to produce excellent results.
So, there I was, knee-deep in the bay, with water soaking into my camera gear. I returned to that point in time repeatedly over the next day or two. I could go back, without wanting to, and relive the experience, complete with the smell.
So Panasonic has announced their Micro 4/3rds camera. It is a cute and tiny SLR-shaped camera, not the rangefinder some of us were hoping for....
With the colors and other such features, the word on the Internet is that it's aimed at the female audience. I don't think it'll really make sense until the 20mm f/1.7 lens comes out, assuming that it's a pancake lens. Also, it won't autofocus with standard 4/3rds lenses nor does it do video.
The biggest excitement, clearly, is the market of second camera bodies for people who already have one good body. It looks like we're starting out with live-view compacts, and that's fun, but I'm pretty sure that there are some other ideas out there. I've got a few brainstorms...
Canon ups the number of megapixels and the maximum ISO on their two-digit digital SLR series and makes a 18-200 superzoom competitor to the Nikon superzoom. And still no 5D replacement?
Several years ago, I looked up how big the old APS film cameras were, under the assumption that, given that a dSLR is the same size as an old film SLR, it will eventually be possible to make an APS-C digital camera the same size as an old APS film cmaera. This turns out to be awfully small, especially with a prime lens. I also eventually read about the Olympus PEN series. And the Pentax Auto 110 SLR system.
This is, in my opinion, a very welcome change on the part of Fuji. The Super CCD EXR sensor has been normally reserved for big cameras, not compact cameras, even though the benefits, especially in terms of being able to shoot a reasonable-dynamic-range or a pixel-binned 6 megapixel image on a 12 megapixel sensor are great, even for small cameras.
This came up the other day on the photo discussion list at work, where one of the guys pointed out one of the many millions of flame wars on the subject and stated that there had to be one correct answer to the question of how the 1 over focal length rule (meaning if you have a 50mm lens, you need to have your shutter at least at 1/50) applies to digital SLRs with crop-factor.
One of my co-workers just got herself a waterproof Olympus. The selling point was the lack of a silly plastic case that you'd have to put the camera in.
I suspect that inherently waterproof is the next thin.