If you look at a famous painting, you don't wonder what brand of brushes the now-decomposing artist used. Of course, if you go to a painters forum, you'll see passionate debates about which brand of brush to use.
Only a poor craftsperson blames their tools, but a good craftsperson will tend to get better results with better tools.
I'm primarily a film shooter, even though outside of photography, I'm quite "digital". My tastes in cameras are best described as somewhat idiosyncratic. I like to own reasonably priced cameras that can be made to produce excellent results.
The official rumors on the G10! My bet is that the sensor is still tiny and the biggest improvement is going to be the dedicated exposure compensation dial. I could be wrong, however.
13.5 megapixels (meh), built in GPS (really cool), 28mm equivalent on the wide side (good), and built in Ethernet, which I've never seen before. Also, the new RAW format only works with Windows, which is probably one of the dumbest things I've ever heard.
Canon ups the number of megapixels and the maximum ISO on their two-digit digital SLR series and makes a 18-200 superzoom competitor to the Nikon superzoom. And still no 5D replacement?
Rollei ended up in an interesting position at the start of the medium format digital revolution. See, Rollei has generally made cameras that are even higher-end than the notationally high-end Hasselblad, giving you a bunch of really nifty features that weren't available elsewhere. And, instead of developing a 645 system, like Hasselblad's H-mount, they kept at their 6x6 format, merely offering decent 645 backs for it.
Well, now they, and Leaf, have announced the Leaf AFi 10, which is the first digital camera to have the same nice egronomics as my RB67, where you can select a horizontal or vertical orientation by sliding the sensor. If I was a digital shooter, I'd be coveting one right now.
Some years ago, I helped a now-former-co-worker with his moviemaking. My biggest contribution was being the caterer and making sure that his cast and crew was the best fed cast and crew in the entire bay area film scene....
The idea of making light that's brighter than the sun is a source of constant amusement whenever I use it. If I wanted to do this sort of stunt with video, we'd be talking the sort of lighting gear that they used in the days of Technicolor that left actors and actresses complaining about eye damage from the bright lights...
Because I view my "primary" cameras as being best carried as clusters of heavy but high-quality hardware, I've realized that I'm really a Serious Compact junkie without realizing it.