This series is a time-lagged chronological journey through my off-camera lighting. I write about stuff that happens months after it really happens so I can get it organized and also to make sure that I don't writing a glowing review of something that turns out to be a steaming pile of crap later on.

My goal with my off-camera setup is to be inexpensive (but not cheap) and portable and easy to deal with. It also has to work with my largely film-centric lifestyle.