While there's still ample availability of cameras, film, and people to develop it, everybody should give crossprocessing a shot at least once! I've written about it before; it's a great way to force yourself to not shoot completely realistic pictures.

I love the *idea* of stitched panoramas. I've been more in love with the idea until very recently, because I kept having problems getting them to stitch...

I'm unsatisfied with the present set of tutorials out there about how to make panoramas, so I thought I'd write my own. Most of the tutorials were written using many of the assumptions that old software enforced upon you. Modern stitching software is leaps and bounds above that and Hugin has become very modern very recently...

Depth of field brackets on cameras are quite handy to start a discussion about picking the right aperture to get a desired depth of field and suggest the concept of the hyperfocal distance. I wish more lenses had them. I've got an old Vivitar Series One lens that has a quite pleasant set of depth of field brackets that work at any zoom length. Modern zoom lenses don't even try to get this right.

My first look at Efke IR820c

I'm going to write out a proper entry about my exploration of IR film as part of my series black and white and how I explore it. But I'm in the midst of information to share, so I'm going to share my thoughts and news now and worry about writing out a proper chronology of exploration later.

The Quantaray MS-1, backgrounds, umbrellas, and models

One of my friends was digging her film EOS camera out of storage after shooting digital and she wanted to understand what it was doing, so she asked me what happens when you tell her camera to ignore the DX coding on the back and set things manually.

If I look at the advances in sensors and sensor processing that are coming out of the labs and sometimes even shipping in products, I realized something interesting. The game has changed at the research labs. See, previously, the goal was to make a sensor that had the highest resolution. Now, the goal is to still ship sensors with more megapixels but without changing the "real" resolution. And this may be a good thing.

I've come to realize that my tripod needs to be replaced. Like, right now...

Why film "looks" better at different speeds, super-high-speed films, dynamic range, and other issues necessary to understand film speeds.

The idea of making light that's brighter than the sun is a source of constant amusement whenever I use it. If I wanted to do this sort of stunt with video, we'd be talking the sort of lighting gear that they used in the days of Technicolor that left actors and actresses complaining about eye damage from the bright lights...

I found a nice JavaScript panorama viewer, so I upgraded the site...

Just so you know, I'm presently obsessed with panoramas...

The Stevens Creek Reservoir, seen from the boat pier