Around September of 2005, I started thinking that, even though I'm not actively drawn to looking at what others have shot on cross processed film, while there's still film and developing chemicals at ready access, I should try shooting it.

Nicolai Grossman and I got into a debate lately about his weblog entry asking why we film-based photographers still shoot slide film.

A pair of legs and a lightpainting with purple and blue lights

Two Scarlet Macaws