The version on top preserves the entire captured dynamic range mapped fairly linearly. The version in the middle makes the skin tones be about where they should be with higher contrast, but you can see how the skies are totally blown out. The version on the bottom has the sky dodged, so that it isn't blown out, but still keeps the woman at the sort of contrast level you'd expect.

Ella making arch forms

Ella making an arc, reflected in the water.

Ella against the backdrop of a city, in the reeds, with stars

Ella making arch forms

Ella lying on the ground near a creek